Tag Archives: paperback

DRIFTWOOD in paperback!

Folks, Driftwood, a first-rate novel by my friend and colleague Elizabeth Dutton, is now out in paperback! Only $9, so snag it here. To celebrate the occasion, and, hopefully, entice more to buy and review this excellent book, I’m re-posting my review of Driftwood. Also, if you’re so inclined, check out her website here.

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I’ve been a serial obsessive for most of my life, and many of the things I’ve obsessed over–eating shrimp two meals a day, wearing green sweat pants, and dying of carbon monoxide poisoning, to name but three–I’ve managed to, more or less, move past.  But music and California are two obsessions that will always dominate my imagination. And in Driftwood, the debut novel by Elizabeth Dutton, I can indulge in both of those long-standing obsessions.

Here’s the basic set-up: Clem Jasper (great f-ing name!) is an L.A. trust fund kid with a well-known rock musician for a father who dies suddenly while playing ping-pong.  Still reeling from the loss and trying to figure out her place in the world, Clem receives a rather strange inheritance: a bundle of letters from her father instructing her to visit several meaningful yet mysterious destinations around California.

cali

Clem’s a quirky and relentlessly self-commenting narrator, but an oddly likeable one.  She is one part misanthrope and one part romantic.   As a reader, I sympathized with her, gobbled up her irreverent remarks and witticisms and spot-on commentary about, well, everything. In short, Clem is that often-talked-about-but-rarely-realized round character.

road trip

The other brilliant aspect of this book is the setting: California. In Dutton’s hands, California comes alive, becomes something more real, more interesting, more quirky than the glittering yet static version of California that’s lived in my imagination for so long. I particularly enjoyed the oddball characters Clem meets in the towns she visits; I relished the descriptions of the landscape, the weather, the vibe of each new place she goes in search of gaining a deeper connection with her father. And, of course, there is the music. Yes, many songs and bands (both real and fictional) are mentioned, discussed, and evaluated, but what struck me the most was the (forgive me) music of the road.  Throughout Clem’s journey, she is attempting to find a rhythm for her life, to write her own song, one that redefines who she is and what family means.

Bottom line, I highly recommend this book.

Read Excerpt of ALPHABET LAND

alphabet land promo picalphabet-land

Attention fans of noir/hardboiled fiction: click here to read the first chapter of my forthcoming crime thriller Alphabet Land.  If you like it, pre-order the paperback ($14.95) or Kindle ($3.99) here. Or head over to Barnes & Noble and get it here.

Advanced praise for Alphabet Land: 

“Alphabet Land is as coarse and gritty as Carolina noir can get. Max Everhart has a new big fan.”
—JOHN VORHAUS, author of The California Roll 

“Everhart has skillfully put together a fresh, tight tale that juggles the story of multiple damaged goods characters that collide face-first on a chunk of dirt called Alphabet Land. Crime story goodness that’s gritty, pulpy, tragic, even funny at times and rips through pages like lightning.”
—MIKE McCRARY, author of Remo Went Rogue and Getting Ugly

“Alphabet Land, decrepit neighborhood on the wrong side of the bridge in Clyde, South Carolina. A bridge separating “haves” from “have nots,” opulence from squalor, justice from injustice. Meet the Rook, product of Alphabet Land, casket-maker and “problem-solver” by trade. Call him vigilante, or Robin Hood—the Rook lives by his own code and his word is his bond. Max Everhart’s mystifying hero is determined to stop the lustful power mongers from both sides of the bridge before greed destroys all hope for the hood’s people. Hang onto your hat, because you’re in for one hell of a non-stop ride through the dark and violent streets of Alphabet Land!”
—E. MICHAEL HELMS, author of the  Mac McClellan Mystery series

“Alphabet Land is a crooked little concoction of hard luck, urban decay, and vigilante style justice. In this fast-paced urban noir, Everhart introduces the Rook, a chess playing, coffin-building, monosyllabic badass, who’s hellbent on pushing back the rising tide of corruption in his city no matter what it takes. Highly recommended!”

–John Mantooth, author of The Year of the Storm and Shoebox Train Wreck

DRIFTWOOD: A California Road Trip Novel by Elizabeth Dutton

Folks, Driftwood, a first-rate novel by my friend and colleague Elizabeth Dutton, is now out in paperback! Only $9, so snag it here. To celebrate the occasion, and, hopefully, entice more to buy and review this excellent book, I’m re-posting my review of Driftwood.

ocd

I’ve been a serial obsessive for most of my life, and many of the things I’ve obsessed over–eating shrimp two meals a day, wearing green sweat pants, and dying of carbon monoxide poisoning, to name but three–I’ve managed to, more or less, move past.  But music and California are two obsessions that will always dominate my imagination. And in Driftwood, the debut novel by Elizabeth Dutton, I can indulge in both of those long-standing obsessions.

Here’s the basic set-up: Clem Jasper (great f-ing name!) is an L.A. trust fund kid with a well-known rock musician for a father who dies suddenly while playing ping-pong.  Still reeling from the loss and trying to figure out her place in the world, Clem receives a rather strange inheritance: a bundle of letters from her father instructing her to visit several meaningful yet mysterious destinations around California.

cali

Clem’s a quirky and relentlessly self-commenting narrator, but an oddly likeable one.  She is one part misanthrope and one part romantic.   As a reader, I sympathized with her, gobbled up her irreverent remarks and witticisms and spot-on commentary about, well, everything. In short, Clem is that often-talked-about-but-rarely-realized round character.

road trip

The other brilliant aspect of this book is the setting: California. In Dutton’s hands, California comes alive, becomes something more real, more interesting, more quirky than the glittering yet static version of California that’s lived in my imagination for so long. I particularly enjoyed the oddball characters Clem meets in the towns she visits; I relished the descriptions of the landscape, the weather, the vibe of each new place she goes in search of gaining a deeper connection with her father. And, of course, there is the music. Yes, many songs and bands (both real and fictional) are mentioned, discussed, and evaluated, but what struck me the most was the (forgive me) music of the road.  Throughout Clem’s journey, she is attempting to find a rhythm for her life, to write her own song, one that redefines who she is and what family means.

Bottom line, I highly recommend this book.